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Soft Cell's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, a key member of the pioneering 1980s electronic music band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the team scored a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record their initial full-length release is considered a seminal work of synth-pop.

He subsequently founded the pioneering electronic act The Grid, who secured popular acclaim with 1994's the hit Swamp Thing.

Ball passed away peacefully in his sleep at his residence in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that performance, Ball performed in a mobility chair, as he had for the last two years, after a spate of health issues.

"I ended up injure myself significantly," he commented in 2023. "I broke lower vertebrae in my spine and cracked about five ribs and broke my arm."

Following contracting pneumonia and developing sepsis, he was placed in an medically-induced sleep and stayed in hospital for seven months.

Nevertheless, he had been in "a great place emotionally" during the warmer months, as he was developing a fresh record with Almond, called Danceteria, which is scheduled for release next year.

"He was focused and very pleased with the latest project that we literally completed only a short time ago," said the singer in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an positive year for him, and I find comfort from the knowledge that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an significant part of my existence and for the music you gave me. I couldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, recalling Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from being in a band, the bond is very tight," he added.
"That was the case with us. We experienced so many remarkable, incredible, memorable experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Born into a single-parent household in Chester in 1959, Ball was given up for adoption when he was a year and a half of age.

He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who altered his first name from Paul to his adopted name, together with his younger sister Susan, who was also adopted.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning fine arts. Inspired by a mutual passion of a music genre, they formed Soft Cell the very year, and quickly produced an extended play.

Creative Collaboration

The duo were an distinctive pairing: Ball was the quiet technician, hunched over his synthesizer, while Almond was a charismatic showman, all sparkle and eye-liner; but they attained a rare creative synergy.

Ball had developed a interest with electronic instruments after watching the band Kraftwerk perform on BBC science show a popular series, and began to marry moody electronic sounds to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second biggest-selling song of 1981, shifting millions of units worldwide. Together with hits by Gary Numan, contemporary bands and Ultravox, it helped cleared the way for the electronic music style of the 80s.

The song was also featured on their first album, their initial LP, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on new material until just before Ball's passing

Career Highlights

Success had its upsides. "I enjoyed being able to afford my first home, having money and exploring, which might seem like a Miss World," Ball recently told with a publication.

But it also caused challenges. "Newfound wealth meant we could purchase substances to relieve the monotony" of press appearances and TV performances, Ball said.

"I know that's a cliché, but it's a cliché for a valid cause, because it works for so many musicians."

During the party-filled existence, the pair were also drifting apart, but they managed to produce a follow-up classic album - the unconventional, edgy and aptly-titled The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before dissolving the band to focus on individual endeavors.

Almond went on to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with melodic sounds over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, producing the charting album Cruelty Without Beauty.

After a further hiatus, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on September 30, that year.

However, they remained together, creating their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately described the duo's upcoming release as a tribute to the NYC nightlife they visited while making their first two albums.

He added that his time in medical care had shaped the group's music.

"I experienced strange recollections when I was in and out of the hospital because I was on morphine," he told a music magazine.
"The new songs are a digital reflection of the noises in my mind from that time.
"In parallel, it's about the experiences we got up to in the 80s."

The final mixes were completed only days before Ball died. It is due for launch in the spring of 2026.

BV
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